Image from page 135 of "Art in France" (1911) التي كتبها Internet Archive Book Images

<b>Identifier</b>: artinfranc00hour <b>Title</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidartinfranc00hour">Art in France</a> <b>Year</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookyear1911">1911</a> (<a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookdecade1910">1910s</a>) <b>Authors</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookauthorHourticq__Louis__1875_1944">Hourticq, Louis, 1875-1944</a> <b>Subjects</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksubjectArt">Art</a> <b>Publisher</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookpublisherNew_York___Scribner">New York : Scribner</a> <b>Contributing Library</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookcontributorRobarts___University_of_Toronto">Robarts - University of Toronto</a> <b>Digitizing Sponsor</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/booksponsorUniversity_of_Toronto">University of Toronto</a> <b>View Book Page</b>: <a href="https://archive.org/stream/artinfranc00hour/artinfranc00hour#page/n135/mode/1up" rel="nofollow">Book Viewer</a> <b>About This Book</b>: <a href="https://archive.org/details/artinfranc00hour" rel="nofollow">Catalog Entry</a> <b>View All Images</b>: <a href="https://www.flickr.com/photos/internetarchivebookimages/tags/bookidartinfranc00hour">All Images From Book</a> Click here to <a href="https://archive.org/stream/artinfranc00hour/artinfranc00hour#page/n135/mode/1up" rel="nofollow"><b>view book online</b></a> to see this illustration in context in a browseable online version of this book. <b>Text Appearing Before Image:</b> <i>ional design of the glass-painter. Evenin the Psalter of SaintLouis, the figures areeasy and life-like, witha dainty vivacity akin tothe quality we find inthe album of Villard deHonnecourt. This ar-chitect of the middleof the thirteenth cen-tury d^ws with a freepen, c. d traces sinuousfigured draped in supplerobes. It is true that ^.s anatomy andhis perspective are def tive; these areweaknesses which are veij; frequent in theplastic art of mediaeva,times. But hecan already make his litile figures movegaily; they have cast off the Byzantineankylosis. In the Psalter of Saint Louis, and in the best manu-scripts of the close of the thirteenth century, we even find upon the faces the keen smileof certain contemporarysculptures. Following inthe wake of the im-agiers, the illuminatorsgradually become mastersof the suggestion of life.Throughout the four-teenth century, this con-quest was rapidly pur-sued ; most of the minia-turists worked in Paris;they were very variousin origin, many of them</i> <b>Text Appearing After Image:</b> <i>FIG. 231.—CI.AIS SLITER. ( IIRIST FROM THE WKl.I. OK THE PKOIMIKTS. (.Vrchaologiial Museum,Dijon.)</i> <b>Note About Images</b> <i>Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.</i>